Posts tagged by #PadiglioneItalia

Advertisement
Advertisement
Advertisement
A display of glass cases seductively emanates a comforting light for those who wander. The traditional museum display based on shelves and cabinets was among Enrico David’s inspirations in the conception of ‘Tutto il resto spegnere IV (Homage a E. F.)’: a series of vitrines intended to house a jumbled archive of works, research materials and personal paraphernalia collaboratively chosen with Liliana Moro and myself. Amidst both sacred and profane objects we placed the Bible, wig and dress coming from Chiara Fumai’s body of work ‘Madonna Horiente’. In her video piece ‘Per vas nefandum’—from the Latin quote “By means of the improper vessel”—Chiara tore the Bible in pieces to announce the arrival of the Whore of Babylon, a mythological creature she evoked as a metaphor for a stance against puritanism. Moreover, Chiara’s props are protected from impure spirits by three iron arrows, ‘Hangers’, whose design comes from an early Christian incantation meant to preserve an environment from the wicked. If you were to raise your gaze and zoom out of this photo, you might see them hung so to seemingly float above the walls of the labyrinth. 📸 #AnnaFranceschini “attraverso il labirinto del padiglione italia” by @matildecerrutiquara, @id_italy #padiglioneitalia #italianpavilion #padiglioneitalia2019 #biennalearte2019 #enricodavid #chiarafumai #lilianamoro #neithernor #thechallengetothelabyrinth @labiennale @dg_aap
429 12
A display of glass cases seductively emanates a comforting light for those who wander. The traditional museum display based on shelves and cabinets was among Enrico David’s inspirations in the conception of ‘Tutto il resto spegnere IV (Homage a E. F.)’: a series of vitrines intended to house a jumbled archive of works, research materials and personal paraphernalia collaboratively chosen with Liliana Moro and myself. Amidst both sacred and profane objects we placed the Bible, wig and dress coming from Chiara Fumai’s body of work ‘Madonna Horiente’. In her video piece ‘Per vas nefandum’—from the Latin quote “By means of the improper vessel”—Chiara tore the Bible in pieces to announce the arrival of the Whore of Babylon, a mythological creature she evoked as a metaphor for a stance against puritanism. Moreover, Chiara’s props are protected from impure spirits by three iron arrows, ‘Hangers’, whose design comes from an early Christian incantation meant to preserve an environment from the wicked. If you were to raise your gaze and zoom out of this photo, you might see them hung so to seemingly float above the walls of the labyrinth. 📸 #AnnaFranceschini “attraverso il labirinto del padiglione italia” by @matildecerrutiquara , @id_italy #padiglioneitalia #italianpavilion #padiglioneitalia2019 #biennalearte2019 #enricodavid #chiarafumai #lilianamoro #neithernor #thechallengetothelabyrinth @labiennale @dg_aap
10/05/19 - in "gita" a Venezia per @labiennale
• abbiamo stampato il libro ufficiale del Padiglione Italia della Biennale di Venezia, in corso fino al 04/11/20
•
•
Caratteristiche libro: importante volume di 528 pagine, stampato su carta #munkenprintwhite a colori #pantone con quattro inserti in formato ridotto stampati su carta #luxprint
•
•
Visita il nostro sito:
➡️www.ediprimacataloghi.com
•
#ediprima #print #art #communication #grafica #graphic #stampa #books #libri #labiennale #venezia #padiglioneitalia #luxprint #paper #pantone #colors #munkenprintwhite #piacenza #montale #viastefanomerli
16 0
10/05/19 - in "gita" a Venezia per @labiennale
• abbiamo stampato il libro ufficiale del Padiglione Italia della Biennale di Venezia, in corso fino al 04/11/20


Caratteristiche libro: importante volume di 528 pagine, stampato su carta #munkenprintwhite a colori #pantone con quattro inserti in formato ridotto stampati su carta #luxprint


Visita il nostro sito:
➡️www.ediprimacataloghi.com

#ediprima #print #art #communication #grafica #graphic #stampa #books #libri #labiennale #venezia #padiglioneitalia #luxprint #paper #pantone #colors #munkenprintwhite #piacenza #montale #viastefanomerli
Advertisement
‘BUSTROFEDICO’ (Boustrophedon) is the working title of #AnnaFranceschini’s new experimental short film, which offers an artistic documentation of ‘Neither Nor: The challenge to the Labyrinth'. In linguistics, ‘boustrophedon’ is a form of inverted writing, found, for instance, in Leonardo da Vinci’s notes: the direction of the words changes at each line, while the letters appear as if reflected in a mirror. Using this form as a metaphor, Franceschini’s new film aims at translating the maze of ‘Neither Nor’ into moving image. Going forward and backward, confusing movements and traces, the camera will shift, expand, repeat, agitate itself to create a cinematic spatial experience of disorientation. Whilst being truthful to the actual exhibition content, the subject is also reinterpreted and reconstructed by Franceschini in a studio offsite, in line with the artist’s theoretical research around animated display. Both the exhibition and its documentary narrate a story. They show and tell. The gazes are as many as the concoctions of thought. The documentary is specially commissioned by the Italian Pavillion at the 58th @labiennale and produced by @inbetweenartfilm and @gluck50_milano. It will be premiered on the occasion of the Pavilion’s finissage 📸 The Lapis Niger shrine at the Roman Forum @a_cinema_verite_kind_of_girl #padiglioneitalia #italianpavilion #padiglioneitalia2019 #biennalearte2019 #enricodavid #chiarafumai #lilianamoro #neithernor #thechallengetothelabyrinth @labiennale @dg_aap
426 5
‘BUSTROFEDICO’ (Boustrophedon) is the working title of #AnnaFranceschini’s new experimental short film, which offers an artistic documentation of ‘Neither Nor: The challenge to the Labyrinth'. In linguistics, ‘boustrophedon’ is a form of inverted writing, found, for instance, in Leonardo da Vinci’s notes: the direction of the words changes at each line, while the letters appear as if reflected in a mirror. Using this form as a metaphor, Franceschini’s new film aims at translating the maze of ‘Neither Nor’ into moving image. Going forward and backward, confusing movements and traces, the camera will shift, expand, repeat, agitate itself to create a cinematic spatial experience of disorientation. Whilst being truthful to the actual exhibition content, the subject is also reinterpreted and reconstructed by Franceschini in a studio offsite, in line with the artist’s theoretical research around animated display. Both the exhibition and its documentary narrate a story. They show and tell. The gazes are as many as the concoctions of thought. The documentary is specially commissioned by the Italian Pavillion at the 58th @labiennale and produced by @inbetweenartfilm and @gluck50_milano. It will be premiered on the occasion of the Pavilion’s finissage 📸 The Lapis Niger shrine at the Roman Forum @a_cinema_verite_kind_of_girl #padiglioneitalia #italianpavilion #padiglioneitalia2019 #biennalearte2019 #enricodavid #chiarafumai #lilianamoro #neithernor #thechallengetothelabyrinth @labiennale @dg_aap
Seen so much art in the past week, I’m exhausted, but in a good way! Enjoying train travel and loving this ‘catalog’ (though it’s beyond that format, being part travelogue, part memoir, part poetic epistolary exchange, part edited collection) from #padiglioneitalia curated by @milovanfarronato. Reading on rails still slightly motion sick from too many ferries. Nice follow up to an afternoon being lost several hours in the labyrinth with works by #chiarafumai #lilianamoro #enricodavid between ‘Bella Ciao’ and ‘Thunder, Perfect Mind.’ to Torino now for a visit to CRRI 🖤 ‘Dissimula, non dichiarare’
17 1
Seen so much art in the past week, I’m exhausted, but in a good way! Enjoying train travel and loving this ‘catalog’ (though it’s beyond that format, being part travelogue, part memoir, part poetic epistolary exchange, part edited collection) from #padiglioneitalia curated by @milovanfarronato. Reading on rails still slightly motion sick from too many ferries. Nice follow up to an afternoon being lost several hours in the labyrinth with works by #chiarafumai #lilianamoro #enricodavid between ‘Bella Ciao’ and ‘Thunder, Perfect Mind.’ to Torino now for a visit to CRRI 🖤 ‘Dissimula, non dichiarare’
Claustrophobic or claustrophilic? These hollow articulations of cubicles and tunnels are as ghostly as inviting and exciting. You are in the underbelly of the metropolis, the necessary and inescapable opposite of the city lights. No catacombs, but the subterranean infrastructure composed of thousands of kilometres of pipes and conduits documented by @giovannamuzzisilva beneath the streets of Milan. Enjoy the adventure, rolling in the deep, taking the chance to profanate such un-sacred, yet respectable, architecture. @humboldtbooks #padiglioneitalia #italianpavilion #padiglioneitalia2019 #biennalearte2019 #enricodavid #chiarafumai #lilianamoro #neithernor #thechallengetothelabyrinth @labiennale @dg_aap
483 6
Claustrophobic or claustrophilic? These hollow articulations of cubicles and tunnels are as ghostly as inviting and exciting. You are in the underbelly of the metropolis, the necessary and inescapable opposite of the city lights. No catacombs, but the subterranean infrastructure composed of thousands of kilometres of pipes and conduits documented by @giovannamuzzisilva beneath the streets of Milan. Enjoy the adventure, rolling in the deep, taking the chance to profanate such un-sacred, yet respectable, architecture. @humboldtbooks #padiglioneitalia #italianpavilion #padiglioneitalia2019 #biennalearte2019 #enricodavid #chiarafumai #lilianamoro #neithernor #thechallengetothelabyrinth @labiennale @dg_aap
‘Essentially an illustration of a state that I have been compelled to “mimic” as a form of personal visual testimony, but also a caricature of both the image and the memory, a cartoon of “nostalgia”’. With these words Enrico David describes ‘Ultra Paste’ (2007), a diorama created on the occasion of his first institutional exhibition in London, at the ICA. It shows the artist’s bedroom as a teenager, designed by his father in the 1970s, reworked and integrated with elements citing the setting of Surrealist photographer Dora Maar’s 1935 photo-collage ‘Vieille femme et enfant’ in which a boy presses his body against that of an elderly woman. The grotesque and oedipal scene portrayed by Maar is acted out here by preadolescent David himself, viewed from behind with his trousers pulled down, rubbing against a large manikin. At the bedroom threshold is ‘Life Sentences’, a seemingly innocuous centipede, completely uninterested in what is going on around it, which, creating both a spatial and a temporal interference with ‘Ultra Paste’, emphasises its more dreamlike and surreal traits. #padiglioneitalia #italianpavilion #padiglioneitalia2019 #biennalearte2019 #enricodavid #chiarafumai #lilianamoro #neithernor #thechallengetothelabyrinth @labiennale @dg_aap
577 6
‘Essentially an illustration of a state that I have been compelled to “mimic” as a form of personal visual testimony, but also a caricature of both the image and the memory, a cartoon of “nostalgia”’. With these words Enrico David describes ‘Ultra Paste’ (2007), a diorama created on the occasion of his first institutional exhibition in London, at the ICA. It shows the artist’s bedroom as a teenager, designed by his father in the 1970s, reworked and integrated with elements citing the setting of Surrealist photographer Dora Maar’s 1935 photo-collage ‘Vieille femme et enfant’ in which a boy presses his body against that of an elderly woman. The grotesque and oedipal scene portrayed by Maar is acted out here by preadolescent David himself, viewed from behind with his trousers pulled down, rubbing against a large manikin. At the bedroom threshold is ‘Life Sentences’, a seemingly innocuous centipede, completely uninterested in what is going on around it, which, creating both a spatial and a temporal interference with ‘Ultra Paste’, emphasises its more dreamlike and surreal traits. #padiglioneitalia #italianpavilion #padiglioneitalia2019 #biennalearte2019 #enricodavid #chiarafumai #lilianamoro #neithernor #thechallengetothelabyrinth @labiennale @dg_aap
A zigzag pattern forms a campus, framing the hill it is laid on. A structure ideally conceived as a see-through building that can be entered from any angle: no façade, no front, no majestic entrance. A concoction of bricks and concrete. As part of her visual essay for the Italian Pavilion catalogue, @giovannamuzzisilva photographed these passages and angularities belonging to the Collegi del Colle dei Cappuccini in Urbino—literally meaning “Colleges of the Hill”. These serpentine works of architecture were designed in the Sixties by visionary architect Giancarlo De Carlo, and have inspired some of the edges and irregularities of the #NeitherNor exhibition layout that was developed with @studio_julia. Gazing through the slits in between buildings one may have a sudden revelation, a panoramic vision over the hills. De Carlo’s main objective was to conceive meaningful, suggestive spatial events that could evolve with those who inhabited it, the artificial discretely merging with the surrounding natural landscape. @humboldtbooks  #padiglioneitalia #italianpavilion #padiglioneitalia2019 #biennalearte2019 #enricodavid #chiarafumai #lilianamoro #neithernor #thechallengetothelabyrinth @labiennale @dg_aap
515 4
A zigzag pattern forms a campus, framing the hill it is laid on. A structure ideally conceived as a see-through building that can be entered from any angle: no façade, no front, no majestic entrance. A concoction of bricks and concrete. As part of her visual essay for the Italian Pavilion catalogue, @giovannamuzzisilva photographed these passages and angularities belonging to the Collegi del Colle dei Cappuccini in Urbino—literally meaning “Colleges of the Hill”. These serpentine works of architecture were designed in the Sixties by visionary architect Giancarlo De Carlo, and have inspired some of the edges and irregularities of the #NeitherNor exhibition layout that was developed with @studio_julia. Gazing through the slits in between buildings one may have a sudden revelation, a panoramic vision over the hills. De Carlo’s main objective was to conceive meaningful, suggestive spatial events that could evolve with those who inhabited it, the artificial discretely merging with the surrounding natural landscape. @humboldtbooks #padiglioneitalia #italianpavilion #padiglioneitalia2019 #biennalearte2019 #enricodavid #chiarafumai #lilianamoro #neithernor #thechallengetothelabyrinth @labiennale @dg_aap
L’Albero della Vita è stato il simbolo del Padiglione Italia ad Expo Milano 2015. La struttura, alta 37 metri, è costituita di acciaio e legno ed è situata al centro della Lake Arena. Nata da un'idea del direttore artistico del Padiglione Italia Marco Balich e progettata dallo studio Giòforma, è stata finanziata e realizzata dal Consorzio Orgoglio Brescia, costituito da 19 imprese bresciane. L'opera è un chiaro riferimento al Rinascimento Italiano. La chioma dell’albero richiama la struttura pavimentale di piazza del Campidoglio a Roma, creata da Michelangelo nel XVI secolo. Durante Expo Milano 2015 l'Albero della vita è stato protagonista di spettacoli di luce e acqua accompagnati da musiche iconiche della cultura italiana. 💦🌈🇮🇹 Alessandro Pietra © alessandroFoto

#expomilano2015 #expomilano #expo #bie #milano #milanocity #alberodellavita #albero #marcobalich #fontana #giochi #lights #water #colours #treeoflife #padiglioneitalia #padita #night #memory #music #igersmilano #ig_milano #igers #igersitalia #italy #expositores #expos #pictures #picoftheday #architecturephotography
28 3
L’Albero della Vita è stato il simbolo del Padiglione Italia ad Expo Milano 2015. La struttura, alta 37 metri, è costituita di acciaio e legno ed è situata al centro della Lake Arena. Nata da un'idea del direttore artistico del Padiglione Italia Marco Balich e progettata dallo studio Giòforma, è stata finanziata e realizzata dal Consorzio Orgoglio Brescia, costituito da 19 imprese bresciane. L'opera è un chiaro riferimento al Rinascimento Italiano. La chioma dell’albero richiama la struttura pavimentale di piazza del Campidoglio a Roma, creata da Michelangelo nel XVI secolo. Durante Expo Milano 2015 l'Albero della vita è stato protagonista di spettacoli di luce e acqua accompagnati da musiche iconiche della cultura italiana. 💦🌈🇮🇹 Alessandro Pietra © alessandroFoto

#expomilano2015 #expomilano #expo #bie #milano #milanocity #alberodellavita #albero #marcobalich #fontana #giochi #lights #water #colours #treeoflife #padiglioneitalia #padita #night #memory #music #igersmilano #ig_milano #igers #igersitalia #italy #expositores #expos #pictures #picoftheday #architecturephotography

socviewer.com